·The Hindu·15 marks·250–350 words

Freedom of artistic expression often comes into conflict with religious sentiment in India. Critically examine with reference to recent Supreme Court interventions.

In this answer
  1. The case for artistic freedom
  2. The competing claim of religious sentiment
  3. Critical assessment

Cinematic and artistic expression is protected under Article 19(1)(a), but is subject to the reasonable restrictions of Article 19(2), including public order, decency and morality [1]. Recent Supreme Court interventions show the Court balancing creative liberty against religious sentiment rather than choosing one absolutely.

The case for artistic freedom

  • Films are cleared by an expert statutory body, the CBFC, which certifies them under the Cinematograph Act, 1952Mahaprabhu Jagannath held a U certificate for three languages [2].
  • In S. Rangarajan v. P. Jagjivan Ram (1989), the Court rejected the "heckler's veto" — anticipated public hostility cannot justify suppressing certified expression [3].
  • In July 2026, the SC set aside the Orissa High Court's nationwide ban on the animated film, observing that "animated fiction cannot diminish piety" [4].

The competing claim of religious sentiment

  • Objections by the Odisha government and the Shree Jagannath Temple trustees rested on the film's departure from the Skanda and Brahma Puranas, invoking public order under Article 19(2) [4].
  • A live festival with lakhs of devotees is a genuine administrative reality; the Court therefore permitted release only after the Puri Rath Yatra concluded [4].

Critical assessment

  • Judicial "balancing" quietly concedes ground: a deferred release is still a restriction on a lawfully certified film, and delay can operate as denial.
  • Pre-release writ petitions risk becoming a parallel censorship channel above the CBFC, weakening institutional competence and inviting a chilling effect on creators.
  • Yet the SC's calibrated order avoided both an absolute ban and needless provocation — a defensible, if imperfect, middle path.

The conflict is best resolved not case-by-case in courtrooms but by strengthening the certification process itself, so that CBFC clearance carries a strong presumption of validity and courts intervene only on clear Article 19(2) grounds. Such deference to statutory expertise, combined with sensitive administrative handling of releases, would honour both the constitutional promise of free expression and India's plural religious ethos.

Sources

  1. 1The Constitution of IndiaArticle 19(1)(a) freedom of expression; Article 19(2) reasonable restrictions
  2. 2The Cinematograph Act, 1952CBFC certification of films; U certificate
  3. 3S. Rangarajan v. P. Jagjivan Ram (1989), Digital Supreme Court Reportsrejection of the heckler's veto against certified films
  4. 4Animated film gets SC nod for release after Rath Yatra, The Hindu (18 July 2026)SC order permitting release after Rath Yatra; objections by Odisha govt and temple trustees

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